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Poor Bulk. That could be lead-based paint, knowing the health and safety regulations of our country's schools, and still the others laugh. I don't know much about those belt-sander thingies that Bulk's using to be able to thoroughly question why they've gotten a hold of one (or whether they actually work). Question: Is this Bulk or Skull's bedroom? Even with the giant hot dog on the wall, it might go either way. I find myself also wondering about the story behind that feather boa. I guess you could easily pick one up at any party store or wherever, but I can't help wondering if there's a more interesting motive behind its presence. But I guess I wonder that about a lot of Bulk's and skull's personal effects. On the other hand, scenes like the one in Bulk's or Skull's bedroom are always fun for people who like to audit props. These kinds of scenes are always magnets for inside jokes from the crew, which is always, always fun. Skull as Captain Hook doesn't remind me of anyone in specific, but that is a crazy Luigi-esque moustache. Bulk is no Mary Martin, however. As for pantomime horses, I recently saw some real horses at the Big E, and they seemed to move much like pantomime horses do. Weird. I will not comment on the one notorious benefit to being the back end of the horse. This is one of my very favorite Bulk and Skull episodes for the Young Elvis and Old Elvis duo. They so should have gone with that. In fact, I wouldn't have minded if that was an occaisional running gag, or perhaps used from time to time on the never-released Bulk and Skull show, costarring El Vez, the Mexican Elvis. Which reminds me, have you ever seen that movie about Elvis Impersonators? After that whole scene, I think I want to lean towards this being Bulk's room, because of the multiple food decorations, but I admit it's inconclusive. If you ask me (and you didn't and you won't), Halloween is a poor excuse for vandalism and cosplay. I wonder why nobody dressed as the Power Rangers. Probably because nobody looks entirely good in spandex. When you're punks, every day is dress-up day for you. I still say I'd like that spiked collar Skull's got on, but sadly you can't wear those kinds of things alone. In case you're wondering why I listed Jar Jar Binks as the least annoying inhuman character (and you're not) it's because the whiny neckbeards complaining about Jar Jar Binks went on for such an unnecessary amount of time that they instantly sapped Jar^2's annoyingness and assimilated it unto themselves which their wannabe attitude of "Haw haw, evverbuddy haets Jar Jar!" And let me conclude the entire issue by saying, the whole "stereotype" thing going on with him is about as mature as that kid in sixth grade who tells you the janitor will give you herpes if you use the toilets in your school. They wore that stuff out with Barney, okay? Getting back to costumes, what do you suppose Finster is? My guess is that Finster is just Finster, of course. If I ever had the opportunity to ask Paulie Schrier and Jason Narvy a Bulk-and-Skull related question, I'd ask them what monsters they'd like to make if they became Finster's apprentice. I always get the impression that any person who's ever been on a television show absolutely hates and loathes fans as annoying paparazzi, though. But then, I'm paranoid. Anyways, this episode also has Bulk and Skull being the heroes, saving a girl from Apache dancing and facing a monster. Bulk and Skull, you're my heroes! Why WOULDN'T Bulk and Skull have a can-opener? I had a dream last night that Paul Schrier sent me a "Cease and Desist" e-mail. I don't blame him. I'm sorry, sir. I only mean to highlight your brilliant role. Why would Kimberly bring her grandmother's spinning wheel to a place where there's teenagers? Did she really expect it to survive without getting broken or food or drugs on it, or worse? Of course, having gone through an educational system that had ties with the mafia probably makes me biased. She ought to take Bulk's advice, "Don't get so bent out of shape". The way things always go right for the Power Rangers, they'd inevitably become locked in a manic high and it would soon become impossible for them to show any emotion other than satisfaction, because everything always goes right for them. Feel free to discuss why Kimberly's character knows Rumplestiltskin's name at the beginning of the play. And another traumatizing public himiliation for Bulk and Skull.

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